From By December 26, 2016 A 2016 documentary magnifies an often ignored part of the education world. The directors behind 2002’s critically acclaimed Lost in La Mancha are the unlikely providers of one of 2016’s best films about education. To be fair, it’s not a vast category. But Keith Fulton and Lou Pepe’s examination of how poverty—and its various manifestations—can derail adolescence in is a thought-provoking, gut-wrenching, and, at times, cautiously hopeful, look at a part of the U.S. Education system many people would rather ignore. About 125 miles east of Los Angeles in the vast desolation of the Mojave Desert sits Black Rock High School. A sort of last stop for students behind in credits and at risk of dropping out, the school is tasked with educating teens who have been sexually abused, who are addicted to drugs, and who, in many cases, have lost any sense of hope for their future. “The world is actually a dark place,” Lee Bridges, a teen father who struggles to balance coursework with raising his son and supporting his girlfriend, says toward the beginning of the documentary. “When it comes to school, I just don't believe I have what it takes.” It would be easy enough for the film to indulge that idea. Over the course of an hour and a half, viewers meet students who have the odds more than stacked against them. Kids drop out, use drugs, drive their teachers to tears. But there are moments of quiet triumph and real progress, too. A student earning enough credits to finally graduate. A usually disengaged kid gushing over Voltaire. The filmmakers don’t offer sweeping reforms or policy suggestions. But they do strive to point out that helping poor and at-risk students succeed is about more than just academics. A kid can’t focus on philosophy if he’s hungry or exhausted because he slept on a recliner outside someone’s shed. As Pepe said during a phone interview, “I think the experience that I had that I hope is in the film is that this is an educational environment, an educational culture that doesn’t say, ‘oh, those problems have nothing to do with algebra, so just stay quiet about them.’” The word he chose when someone in a pitch meeting asked him for one word to describe the film? Black Rock’s culture is in large part the work of the school’s principal, Vonda Viland. Seemingly tireless, Viland spends her days doling out both emotional support and tough love to the kids at the school. Where the ‘Bad Kids’ go to school. January 2, 2017. In ‘The Bad Kids’. Please support Show Me KC Schools as a volunteer or donor. Feb 14, 2017 Heck: Where The Bad Kids Go. Breaking News: Helping Students Navigate a Post-Truth World. Posted on February 15, 2017| 6 Comments. The Bad Kids is a documentary following the lives of students. Video expired Tue 16 May 2017, 11:59pm AEST Where the 'bad kids' go to learn. Where The Bad Kids Go [2017] 7/3/2017 0 Comments. Kids can help her collect knightly hearts by riding Trinket or her shield throughout the kingdom. She picks kids up who say they don’t have a ride to school. She calls them in the morning to make sure they’re awake. She tells them she loves them. She pushes them. “If you're looking for a place to hide, this isn’t it,” she tells kids. “There’s no shame in asking for help.” I was left wanting more background on how Viland ended up at Black Rock, and on how she copes with the stress of her job. (A scene of her jumping rope in the middle of the night offers some clues.) But the filmmakers’ decision to linger on student-centric scenes that seem to intentionally come close to dragging without actually dragging is also an effective tool for giving viewers a sense of the daily slog of life in a part of the country where opportunity and hope seem depressingly absent for many. The message is clear: There is no shortcut or easy fix for the issues with which these students (and their teachers) contend. During a phone conversation after the film’s release, Viland told me she’d been the principal at a traditional high school previously but felt “unsatisfied,” like she was spending more time pushing paper around than actually helping kids. Students like the ones at Black Rock are full of untapped potential, she said, but too often they are painted as more of a drain than a resource. It’s no wonder, as Fulton put it, that these kids “often gravitate toward the choice of being the victim, because that’s what everyone is telling them they are.” Consider Jennifer Coffield, a Black Rock student who confides in a teacher and Viland that she’s upset because her father yelled at her for essentially being a good student. He was upset, it seemed, that she was getting ready to graduate. Viland, in another snippet that left me wanting more information, responds by telling the girl she once found out her own father never wanted her and that she never got his acceptance, but that she did okay and so can Coffield. (Happy spoiler: Coffield ultimately earns her diploma and a full scholarship to study nursing.) Pepe and Fulton had been prepped ahead of their first visit to the school that it was where “the bad kids” went. But “it was not like anything we expected it would be,” Pepe said. The pair saw the film as an opportunity to explore how teachers and schools are (impossibly) tasked with tackling generational poverty. Viland was originally hesitant to let cameras in. She was worried, she said, about her kids being characterized or stereotyped unfairly but soon trusted the directors. And getting the kids to open up wasn’t as difficult as it might sound. Documentaries want to “see,” Fulton said, and these kids were “desperate to be seen.” Filming started in 2013 and lasted about two years. The directors said they were deliberate about trying not to tell a conventional hero’s-journey tale, where a main character goes through struggles and ultimately prevails. In that, they’ve succeeded. The film focuses on several students, and not all of them successfully earn diplomas and pursue work or college. Toward the end, a kid who is interested in enrolling in the school visits the office and meets Viland. The clear implication is that there is no end in sight. Ultimately, Viland would like to see more resources dedicated to schools like Black Rock (Most school districts in the United States have, but not all of them operate as stand-alone schools like Black Rock, and it’s unclear how many have an administrator as dedicated as Viland.), and to education more broadly so that kids who struggle with poverty and other barriers to success don’t fall through the cracks. There needs to be “a paradigm shift,” she said. But, as Pepe noted, educators can begin to make changes without waiting for more resources. “It doesn’t cost anything,” he said, “to listen to a student and see them and acknowledge them.” And for many young people, that can make all the difference. I haven't written a review before. But after watching this film, I decided to write something that I felt and I experienced while I was teaching in one of the schools in Korea. The majority of this school I was teaching were kids of refugees or kids from the foreign workers. Some kids had so many problems in their house. Their parents beating them, police come to the school because a father of one of the kids raped his own kid. Some of them had serious depression that made them go to the toilet with a small knife during the break time. They would cut themselves in the toilet. And they were only 11, 12, 13 years old. When I was watching this documentary I burst into tears so many moments. Really, they are helpless children. They are just brought to this world and they don't know how to defend themselves while their own father beating them. What made me so devastated is that whatever I do in the class, I can't change lives in their house. Whatever I do, when they go back to their houses, they will have same reality unless their parents change. There are NO BAD KIDS. There are only Bad Parents. I feel so sad, truly sad, how many kids should get suffered not knowing any reason? But I know, I myself was a child who didn't want to go to school, and my teacher who I met when I was 14, changed my life totally. If I didn't meet him, I would not be alive now. One person can change something. And teaching only can be given by loving person. That's what I learn from my life.
0 Comments
Art Department. Junior draughtsman. Art department trainee. Props: dailies. Graphic design. Stand-by props. Props trainee: dailies. Dressings props. Chargehand dresser. Assistant construction manager. Junior draughtsman. Prop carpenter. Creative research co-ordinator. Graphics assistant. Set art artist. A Batalha das Correntes. Unsubscribe from Diamond Films Brazil? Cancel Unsubscribe. A Batalha na Montanha do Tigre - Duration. Storyboard artist. Petty cash buyer. Production buyer. Action prop buyer. Dressing props. Dressing props. Prop supervisor. Chargehand stand-by props. Petty cash buyer: dailies. Graphics assistant: dailies. Additional graphics. Stand-by art director. Art department assistant. Assistant property master. Construction manager. Batalha dos Confeiteiros (English: Battle of the Bakers), also known as Batalha dos Confeiteiros Brasil, is a Brazilian television series based on Next Great Baker. Oct 30, 2017 A Batalha das Correntes. Unsubscribe from Diamond Films Brazil? Cancel Unsubscribe. A Batalha na Montanha do Tigre - Duration. Ficha do filme: Inscreva-se no canal. A Batalha das Correntes Trailer Legendado mais. The Current War (2017) Reference View. A Batalha das Correntes (Brazil. Construction coordinator. Props co-ordinator. Graphic art director. Art department coordinator. Graphic designer: dailies. Set dresser: dailies. Key greensman. Prop fabrication. Graphic designer. Carpenter / standby carpenter. 3d designer/visualizer/3d printing: prop. Property master. Art department assistant. Sound Department. Foley supervisor. Re-recording mixer. Adr mixer: New York. Foley artist. Adr engineer. Key first assistant sound. Re-recording mixer. Second assistant sound: dailies. Second assistant sound: second unit. Foley artist. Foley assistant. Mix technician. Production sound mixer. Sound mix assistant. Sound mixer: additional unit. Sound designer / supervising sound editor. Adr supervisor / dialogue supervisor. Re-recording mixer. Assistant sound editor. Adr bookings coordinator. Visual Effects. Lead matchmove artist: One of Us. Executive visual effects producer: BlueBolt. Cg artist: One Of Us. Vfx supervisor: one of us. Roto prep artist: One Of Us / roto/prep artist: One of Us. Visual effects supervisor. Executive visual effects supervisor: BlueBolt. Digital compositor: One Of Us. Visual effects editor. 3D scanning specialist: Efficacy4D. Lead digital matte painter: One Of Us. Cg artist: One of Us. Roto prep artist: One Of Us / roto/prep artist: One Of Us. Fx artist: One Of Us. Head of production: One Of Us. Roto prep artist: BlueBolt. Visual effects supervisor: BlueBolt. Additional vfx. Bidding Producer: One of Us. Digital compositor: One Of Us. Match move artist: One Of Us. Match move artist: One Of Us. Photographer: Efficacy4D. Cg artist: One Of Us. Additional visual effects. Visual effects supervisor: One Of Us. Vfx coordinator: BlueBolt. Digital compositor. Roto prep artist: One Of Us. Animator: One Of Us. Match move artist: One Of Us. Fx artist: One Of Us. Digital compositor: One Of Us. Digital compositor. Cg artist: One Of Us. Technical support: One Of Us. Roto prep artist: One Of Us. Digital compositor: One Of Us. Digital matte painter: One Of Us. Data i/o: One Of Us. Prep/Roto Artist: One Of Us. Data i/o: One Of Us. Roto prep artist: One Of Us. Roto prep artist: One Of Us / roto/paint artist: One Of Us. Systems admistrator / technical support: One Of Us. Cg artist: One Of Us. 3D scanning specialist: Efficacy4D. Visual effects producer: BlueBolt. Fx artist: One Of Us. 3d modeller: One of us. Visual effects artist: One Of Us. Technical support: One Of Us. Fx artist: One Of Us. Digital compositor: One Of Us. Visual effects coordinator: one of us. Title designer. Vfx producer: Nvizible. Visual effects producer. Roto prep artist: One Of Us. Roto prep artist: One Of Us / roto/prep artist. Lead compositor: One Of Us. Visual effects coordinator: one of us. 3D scanning specialist: Efficacy4D. Cg artist: One Of Us. Matchmove artist: One of Us. Visual effects line producer: Nvizible. Cg artist: One Of Us. Roto/prep: One of us. Roto prep artist: One Of Us. Digital compositor: One Of Us. Fx artist: One Of Us. Cg artist: One Of Us / lead vfx generalist: One Of Us. Cg artist: One Of Us. Executive producer: One Of Us. Technical support: One Of Us. Executive producer: One Of Us. Visual effects producer: One Of Us. Sequence lead: One of Us. Paint and roto artist / roto prep artist: One Of Us. Visual effects editorial: One Of Us. Roto prep artist: One Of Us / roto/prep: One Of Us. Visual effects artist: Bluebolt. Digital matte painter: One Of Us. Match move artist: One Of Us. Digital matte painter: One Of Us. Projection fx operator. Roto/prep lead: One Of Us. Digital matte painter: One Of Us. Technical support: One Of Us. Digital matte painter. Roto prep artist: One Of Us. Roto prep artist: One Of Us. Visual effects editor: One of Us / visual effects editorial: One Of Us. Fx td: one of us. Roto prep artist: One Of Us. Data i/o: One Of Us. Digital compositor: One Of Us. Digital matte painter: One of Us. Visual effects supervisor: nvizible vfx. Digital compositor: One Of Us. Camera and Electrical Department. Assistant to director of photography. Second assistant camera: dailies. Electrical rigger. Additional second assistant camera: dailies. Steadicam operator. Crane technician dailies. 1st AC: 'A' Camera Main Unit / first assistant camera: 'c' camera, second unit. Digital imaging technician: main unit. Aerial director of photography. First assistant camera:b camera. Second assistant camera: dailies. Hod practical electrician. Video playback operator. Camera trainee. Libra Head Technician (dailies). Second assistant camera:b camera. Camera trainee: dailies. Additional first assistant: c camera / second assistant camera:a camera. Trainee grip: dailies. Camera operator: dailies / steadicam operator: dailies. Location Management. Unit assistant. Location assistant: dailies. Location manager: second unit. Location assistant. Location scout: Dailies. Location marshal. Location scout. Assistant location manager. Location coordinator. Assistant location manager. Assistant location manager. Location marshall: dailies. Location assistant. Key location assistant. Assistant location manager / location scout. Location scout. Supervising location manager. Stand-in: benedict cumberbatch. Second assistant accountant. Science Consultant. Assistant to Mr. Bekmambetov / assistant to producer. Assistant accountant. Satellite Internet, 4G Wifi Engineer & IT Support. Production coordinator: second unit. Production assistant. Executive in charge of business & legal affairs. Script supervisor. Production assistant: second unit. Production assistant. Production runner: dailies. Production supervisor: pre-production. Visual research assistant: Mr. Production assistant: dailies. Production assistant. Court spectator. EPK Producer. Assistant production coordinator: Second Unit Dailies. Production coordinator. History Consultant. Floor runner: dailies. History consultant. Child double. Picture double. Production assistant. Production secretary. Dialect coach. Stand in: Katherine Waterson and Tuppence Middleton. Production assistant. Assistant production coordinator. Assistant story editor. Assistant: Alfonso Gomez-Rejon. Medic: dailies. Set pa: second unit dailies. Accounts clerk. Key assistant production coordinator. Caterer: craft service. Unit publicist. Assistant accountant. Picture double: Tuppence Middleton. Storyline Plot Summary Starring Benedict Cumberbatch as Thomas Edison and Michael Shannon as George Westinghouse, THE CURRENT WAR is the epic story of the cutthroat competition between the greatest inventors of the industrial age over whose electrical system would power the new century. Backed by J.P. Morgan, Edison dazzles the world by lighting Manhattan. But Westinghouse, aided by Nikola Tesla, has seen fatal flaws in Edison's direct current design. Igniting a war of currents, Westinghouse and Tesla bet everything on risky and dangerous alternating current. Directed by Alfonso Gomez-Rejon (Me and Earl and the Dying Girl) and written by playwright Michael Mitnick (Sex Lives of our Parents), THE CURRENT WAR also stars Katherine Waterston, Nicholas Hoult, Tom Holland, Matthew Macfadyen, and Tuppence Middleton. • Plot Keywords • • Genres • • • Parents Guide. The E-mail message field is required. Please enter the message. E-mail Message: I thought you might be interested in this item at Title: A batalha das ornamentações: a Escola de Belas Artes e o carnaval carioca Author: Helenise Guimarães Publisher: [Rio de Janeiro, Brasil]: Rio de Janeiro, RJ: FAPERJ, Fundação Carlos Chagas Filho de Amparo à Pesquisa do Estado do Rio de Janeiro; Rio Books, [2015] ©2015 ISBN/ISSN: 8803 OCLC:910105012. Link para Download do Filme em TORRENT: http://1ink.cc/4tQ9z. Rei Arthur e A Lenda da Espada (2017) Torrent Ultra HD – Download Bluray Full 1080p Dual Audio Assistir Online filme Baixar Rei Arthur via torrent full hd. Rei Arthur e A Lenda da Espada (2017) Torrent Ultra HD – Download Bluray Full 1080p Dual Audio Assistir Online filme Baixar Rei Arthur via torrent full hd. • Fatal error: Uncaught ArgumentCountError: Too few arguments to function wpdb::prepare(), 1 passed in /home/umtig157/public_html/wp-content/themes/piano-black/sidebar.php on line 75 and exactly 2 expected in /home/umtig157/public_html/wp-includes/wp-db.php:1222 Stack trace: #0 /home/umtig157/public_html/wp-content/themes/piano-black/sidebar.php(75): wpdb->prepare('SELECT YEAR(min.' ) #1 /home/umtig157/public_html/wp-includes/template.php(688): require_once('/home/umtig157/.' ) #2 /home/umtig157/public_html/wp-includes/template.php(647): load_template('/home/umtig157/.' , true) #3 /home/umtig157/public_html/wp-includes/general-template.php(110): locate_template(Array, true) #4 /home/umtig157/public_html/wp-content/themes/piano-black/single.php(46): get_sidebar() #5 /home/umtig157/public_html/wp-includes/template-loader.php(74): include('/home/umtig157/.' ) #6 /home/umtig157/public_html/wp-blog-header.php(19): require_once('/home/umtig157/.' ) #7 /home/umtig157/public_html/index.php(17): require('/home/umtig157/.' ) #8 in /home/umtig157/public_html/wp-includes/wp-db.php on line 1222. Ne paslaptis ir tai, jog visuose Sorkino scenarijuose žiūrovus užgriūna žodžių srautas – čia kur kas daugiau papasakojama, nei parodoma, ištransliuojama, o ne išjaučiama. Tačiau „Pokerio princesėje“, kitaip nei būtų galima tikėtis, labiau glumina ne užkadriniai monologai, kurie filme, paremtame M.Bloom autobiografija, atrodo laiku ir vietoje, o pabrėžtinai efektingi dialogai. Kol personažai šaudosi ironiškomis replikomis (Molly pokalbiai su advokatu) ar kiek sentimentalokomis sentencijomis (Molly pokalbis su tėvu), sukirba mintis, jog visa tai kur kas geriau susiskaitytų – kartais sodrūs dialogai yra paprasčiausiai per sodrūs kino ekranui, net jei ir yra parašyti vieno mylimiausių Holivudo scenaristų. Galite žiūrėti Pokerio princesė online nemokamai arba parsisiųsti anglų kalba. The true story of Molly Bloom, an Olympic-class skier who ran the world's most. Following the briefing of the political parties on the documents of the Embassy of Greece in Saudi Arabia, the Alternate Minister of Foreign Affairs, G. Katrougalos, made the following statement: “All parliamentary political parties responded to our transparency-related invitation and came to be briefed on the despatches referred to by the Prime Minister in his speech to Parliament. The obvious was also proven: that the Prime Minister told nothing but the truth with regard to this case and the despatches in question. It was also demonstrated that it is possible to conduct parliamentary oversight in a transparent manner, while respecting national secrets. I remind you that this principle was often violated recently, with no consideration for the national interest. It is not just the penal code that prohibits the disclosure of national secrets. The Standing Orders of the Parliament, in paragraph 4 of article 133, expressly prohibit the disclosure of classified documents. It is not even left to the discretion of the competent minister to disclose relevant documents. We had nothing to hide. Fabricated from the outset, this whole case collapsed. It has also been shown that the sole political and legal question – whether the person who signed had power of attorney from Saudi Arabia – proved to be true, beyond any doubt. Today’s questioning, by New Democracy, of the spelling of these power-of-attorney documents shows nothing more than the embarrassment of the said party. But, respect for institutions is a prerequisite for respect for Democracy. The opposition has to get serious. The issues and problems of the Greek people lie elsewhere.” Mr. Katrougalos also responded to the following questions from reporters: REPORTER: If need be, would you again provide access to classified documents? KATROUGALOS: Classified documents are classified for a reason. Beyond that, whenever there is a need to serve the public interest, through parliamentary oversight, we have demonstrated – through this action, and we will show it in the future – our full respect of democracy. REPORTER: Mr. Koumoutsakos requested access to all the documents, and you refused him? KATROUGALOS: Classified documents of the Greek state have been made public as if they were flyers. As I have said before, parliamentary oversight has to be consistent with the safeguard of national interests. This is what we have done, and will continue to do in the future. Women – One woman is dressed in Chinese, not Mongol, style. 13 has a picture of a veiled woman in ordinary clothes and a boqtaq. An alternate spelling for the protein mixture found in egg whites. This spelling, albumen, is preferred by the food industry. It is also used to refer. Men http://www.metmuseum.org/art/collection/search/453683. Acum 3 ani Toti marxistii si anarhistii au simpatii sioniste. Psihoza comunismului a fost, intr-o mare masura, reprezentarea modus-vivendi-ului evreiesc. Miza (a se citi sarlatania), a fost ca ei, smeckerii-mondiali, sa se puna in capul mesei si, dupa vrajeala cu impartitul puterii si a proprietatii 'maselor largi muncitoare', sa-si insuseasca ei proprietatile talharite prin nationalizari abuzive. Sarlatania functiona cata vreme, stim ce pricepere aveau juifii la manipularea psihologica a lumpenului fara scoala, fara minte. Normal ca 'experimentul bolsevic' a fost calculat pe masura jalnica a societatilor est-europene. Nu trebuie sa fii expert pentru a intelege ca toate clanurile nivelurilor 1 si 2 din partidele comuniste, din administratie si (in special) din ministerele de interne (+ represiune + control) au avut procent urias de alogeni. Au detinut puterea. Nu prin inteligenta, ci prin tupeu si violenta extrema. Un citat atribuit lui Stalin este 'Moartea unui om este o tragedie. Crimele lui Stalin. Lichidati de Stalin, 8 martie 2004, Lavinia Tudoran, Jurnalul Național. Printre documentele, legate de moartea lui Stalin, unul mi s-a parut deosebit de misterios. El se refera la ultimele injectii pe care le-a facut sora medicala Moiseeva. La ora 20.45 ea ii face lui Stalin o injectie de gluconat de calciu. Pana in acel moment, o asemenea injectie n-a mai fost facuta bolnavului. Boala lui Stalin a debutat prin dureri de. 2,07 un nou comunicat care anunţa moartea lui I.V. Si lucrurilor inedite din Romania si din. Moartea lui Stalin vazuta din Romania. Adrian - 5 September 2013. Share on Facebook. Tweet on Twitter. In zilele de doliu pentru moartea tov. Condividi la tua opinione sul film! Link offline? Chiedi il ripristino Devi essere per segnalare un link corrotto. Scheda film La signora dello zoo di Varsavia (2017)| Leggi la recensione, trama, cast completo, critica e guarda trailer, foto, immagini, poster e locandina del film. Thank you for attending NTD Summit 2017! 2017 marks the 5th anniversary of the World Health Organization’s roadmap on NTDs and the London Declaration. Le Sommet des Legendes. July 6 – 9, 2017. Be sure to join HSR & HMSA as we host an event in the picturesque grounds of the Circuit Mont-Tremblant. Le 6 et 7 octobre 2017, participez au Sommet AquaHacking 2017: Unis pour le Saint-Laurent. To celebrate this milestone, Uniting to Combat NTDs, the World Health Organization and the NTD community hosted the NTD Summit in Geneva, Switzerland in April 2017. We celebrated the community’s achievements over the past 5 years and planned for the future as we aim to control, eliminate and eradicate 10 neglected tropical diseases. The summit included technical discussions with our partners to define a clear path towards the 2020 goals and beyond. Overview of the summit Wednesday, 19 April (daytime): This event was hosted by the World Health Organization at their headquarters in Geneva, Switzerland. Wednesday, 19 April (evening): Evening reception and dinner hosted by Uniting to Combat NTDs The reception celebrated the tremendous progress that has been made in combatting NTDs since the signing of the London Declaration and the WHO roadmap on NTDs and honoured the contribution of women in the delivery of NTD programmes. Thursday, 20 April to Saturday, 22 April: NTD community meetings These partner meetings involved technical discussions to define a clear path towards the 2020 NTD goals and beyond. Find more information about: OCLC Number: 948425386 Reproduction Notes: Electronic reproduction. [S.l.]: HathiTrust Digital Library, 2011. MiAaHDL Description: 1 online resource (126 pages). Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. Contents: Pepa Martínez.--Jacinto y su burro.--Tecuare.--El cazador de pavos.--La tercera pata.--El lobo rengo.--!Kum-Bolai!--María Coyote.--El tío Andrés.--El aprendiz de Shaman.--?Por qué lloras, Manuelito?--Una historia en Tetelcingo.--Historia de un brujo. Series Title:, v. 29 Responsibility: Alfredo Granguillhome. The Foreigner (2017) on IMDb. El implacable: Bulgaria (Bulgarian title). Mexico: El implacable: Peru: El implacable: Portugal. The Foreigner (2017) on IMDb. El implacable: Bulgaria (Bulgarian title). Mexico: El implacable: Peru: El implacable: Portugal. Max is a teenager who imagines himself as an implacable ladies man who can get any girl he wants. Title: Implacable (2014) 6.6 /10. El Implacable en Cartelera. Horarios, funciones y cines donde puedes ver El Implacable. Compra una entrada para El Implacable con Fandango LAT. - Dal 28 Settembre 2017 al cinema Segui la pagina Facebook ufficiale: Diretto da: Darren Aronofsky Cast: Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer Benvenuto nel Canale ufficiale di 20th Century Fox Italia, lo studio di pluripremiati successi cinematografici come Star Wars, L'era glaciale, X-Men, Avatar, The Rocky Horror Pictures Show, Deadpool e tantissimi altri! Qui troverai in esclusiva i trailer e le clip dei nostri ultimi film, i dietro le quinte, le interviste e gli spot dei nostri migliori film. Sarai sempre aggiornato sui nostri successi, quindi non esitare: Iscriviti al Canale! Segui 20th Century Fox Italia sui social: ✄ Diventa Fan su Facebook: ✄ Seguici su Twitter: ✄ Metti +1 Google+: ✄ Metti il Follow su Instagram. • ( EN) Justin Kroll,, su Variety, 15 ottobre 2016. URL consultato l'8 agosto 2017. • ( EN) Justin Kroll,, su Variety, 11 gennaio 2017. URL consultato l'8 agosto 2017. • ( EN) Borys Kit,, su The Hollywood Reporter, 15 aprile 2016. URL consultato l'8 agosto 2017. • ( EN) Anita Busch,, su Deadline.com, 23 marzo 2017. Scheda film Madre! (2017)| Leggi la recensione, trama, cast completo, critica e guarda trailer, foto, immagini, poster e locandina del film diretto da Darren. Madre (2017) 19min| Short, Drama| 17 March 2017 (Spain) While at home in her apartment with her own mother in Spain, a woman gets a phone call from her six-year-old son, who's on holiday in France with his father. Every parent's nightmare ensues. URL consultato l'8 agosto 2017. URL consultato il 18 settembre 2017. • ( EN) Julie Miller,, su Vanity Fair, 21 novembre 2016. URL consultato l'8 agosto 2016. • Mirko D'Alessio,, badtaste.it, 10 agosto 2017. URL consultato il 10 agosto 2017. • ( EN) Chris O'Falt,, su IndieWire, 9 settembre 2017. URL consultato il 2 ottobre 2017. • ( EN) Chris Cabin,, su Collider, 11 ottobre 2016. URL consultato l'8 agosto 2017. • Matteo Tosini,, badtaste.it, 31 luglio 2017. URL consultato il 31 luglio 2017. • ^ ( EN) Mirko D'Alessi,, su BadTaste.it, 8 agosto 2017. URL consultato l'8 agosto 2017. • Andrea Francesco Berni,, badtaste.it, 31 luglio 2017. URL consultato il 31 luglio 2017. • ^ Andrea Francesco Berni,, badtaste.it, 18 settembre 2017. URL consultato il 18 settembre 2017. URL consultato il 15 novembre 2017. • Stefania Ulivi,,, 5 settembre 2017. URL consultato il 5 settembre 2017. DRAMMATICO - DURATA 115' - USA Una coppia vede la propria relazione messa alla prova quando degli ospiti non attesi arrivano nella loro abitazione, sconvolgendo la. URL consultato il 18 ottobre 2017. URL consultato il 19 settembre 2017. • Andrea Francesco Berni,, badtaste.it, 16 gennaio 2018. URL consultato il 19 gennaio 2018. • Pierre Hombrebueno,,, 5 dicembre 2017. URL consultato il 6 dicembre 2017. •, su collider.com. •, su telegraph.co.uk. Collegamenti esterni [| ] • • ( EN), su, IMDb.com. • ( EN), in, Flixster Inc. • ( EN, ES), in. • ( EN), su, CBS Interactive Inc. •, in, AntonioGenna.net. •, in, Mo-Net Srl. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
May 2018
Categories |